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در این پژوهش سعی داریم تا مفهوم زن ستیزی آثار امیر تتلو را از دیدگاه دختران هوادار، مورد بررسی قرار دهیم.در این رابطه با10 نفر از دختران هوادار مصاحبه کرده ایم.پژوهش با شیوه کیفی و روش تحقیق نظریه زمینه ای و انتخاب مصاحبه شوندگان با استفاده از نمونه گیری گلوله برفی انجام گرفته است. به گونه ای سعی شده است تا زن ستیزی آهنگ های تتلو، از زبان مصرف کنندگان تبیین گردد.در پایان تحلیل داده ها، مدلی به دست آمد که بر اساس آن مقوله های مرتبط و شکل دهنده زن ستیزی آهنگ های تتلو مشخص شدند.مردانگی هژمونیک محلی و کمبود رپر زن، مصائب تجربه زیسته، اعتیاد به مصرف الکل؛ مواد مخدر و زن باره گی خواننده، سلطه صنعت موسیقی، آموزش روابط بین دختر و پسر، رسانه ای کردن سوء استفاده جنسی از دختران، ترویج زن ستیزی، کاهش امید به آینده و گرایش به نیهیلیسم در دختران، مقولاتی هستند که از نتیجه پژوهش به دست آمده اند.

Misogyny of Persian rap music and its acceptability among female fans with a Granded theory approach (Case study: Tehran girls)

Introduction Rap music is a new style of music that has become famous as popular music and in the last half century in the world, despite the feeling of danger and the opposition of a significant part of sociologists, it has made significant progress and achieved world fame. This music is known as the voice of opposition and protest, and concepts such as violence and misogyny are considered to be its characteristics, which has attracted the attention of the music industry in the process of its birth and growthand according to Adorno, it is standardized and incidentally added to its anti-feminist content.This music changes artistically the social norms and in conflict with the common culture of the societies, it creates an opposing discourse and encourages young people to speak and behave against the norms.Paying attention to the significant and important educational and cultural role that women have in human societies, on the one hand, the resistance of societies against the invasion of capitalist culture, and on the other hand, preserving the values ​​and norms of local culture that has a history of thousands of years, sensitivity to the consequences of growth and It doubles the development of this type of music.It is simplistic to think that music industry just for more profit has put misogynist content on its headlines.Therefore, preserving the national and cultural identity of pluralistic global societies requires recognizing and providing an effective and timely solution to face it.One of the most famous Persian rap singers, whose songs have attracted many young people, is Tataloo. He has created a new discourse in the literature of her fans and the societywith his songs and words, which is not in line with the accepted norms of the society.Among them, we can mention Tataloo's anti-feminist discussion, and according to his own words, in 20 years, the text of his songs will be written in textbooks.It should be noted that in our society, there is nosingle conceptual definition of misogyny, and people belonging to various subcultures in all parts of the country, from one city to another, from one neighborhood to another, and even from one family to another family has its own definition of misogyny.For example, while cutting off a girl's head by the men of the family is condemned by many people Some support it under the title of male zeal.Both views belong to the members of the same society and both groups have Iranian nationality.But the misogyny of the music industry is a concept more than existing misogynyand it has other goals, the result of which is the destruction of the value and reputation of women in the society her objectification as a consumer and consumer of the products of the capitalist system institutionalizing insult and disrespect to womenand it is to make them submit that is clearly seen in the content of the singer's music, her words and her lifestyle.The 13th of November 2017 Instagram announced that it has blocked Amir Tataloo's user account. Because Tataloo had written insulting sentences against women in the days before that.Instagram wrote that the security of its users is the most important responsibility of this company.After this event, he continues his activity on Instagram with new user accounts and he is still in contact with his fans on various social networks. Research background Different researches have been done about rap music in Iran, and our intention here is not to express all the work done, but to present the backgrounds that are more in line with the topic of this article. Reza Samim and Hamed Taheri Kia (2017) in their article titled "Visualization of Persian rap in virtual space (Instagram case study)", have analyzed the images of rappers' and audience's Instagram pages that by using the process of posting andreposting images with the help of Instagram,Persian rap has become a subject for thinking and discussion by producing news along with information circulation.In another article

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